Play Along Piano

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Jwagner

Jwagner

2:27	Est. Play Time
98	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	4	2	7	24%
	16	19	3	4	18%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	4	2	7	24%
	16	19	3	4	18%
Bass	15	0	5	8	72%
	15	0	5	7	72%
Tenor	11	0	3	7	68%
	11	0	3	7	68%
Alto	10	0	2	7	54%
	10	0	2	8	54%
Soprano	11	0	3	7	54%
	11	0	3	7	54%

Vivaldi - Gloria (RV 589) -- 3. Laudamus Te

Jwagner

2:30	Est. Play Time
126	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	11	9	4	57%
	21	3	6	5	48%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	11	9	4	57%
	21	3	6	5	48%
Soprano I	12	0	4	6	56%
Soprano II	12	0	4	7	53%

Jwagner

3:54	Est. Play Time
78	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	10	6	6	51%
	18	3	3	6	36%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	10	6	6	51%
	18	3	3	6	36%
Soprano	13	0	3	6	73%
Tenor	9	0	3	7	73%
Alto	10	0	2	6	72%
Bass	14	0	3	6	72%

Gounod -- Messe brève no. 7 in C - 1. Kyrie

Jwagner

2:33	Est. Play Time
62	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	12	0	2	6	79%
Alto	11	0	2	6	69%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	12	0	2	6	79%
Alto	11	0	2	6	69%
Tenor	13	0	2	6	60%
Bass	12	0	2	6	47%
Organ	14	8	1	4	21%
	15	6	3	4	23%
	0	0	0	0	0%

Triumphal Scene from Aida - Verdi

Jwagner

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	43	138	17	10	99%
	35	48	15	11	95%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	43	138	17	10	99%
	35	48	15	11	95%
Soprano	22	0	8	10	38%
Alto I	16	0	5	10	37%
Bass I	19	3	7	10	32%
Tenor III	20	10	7	9	31%
Bass	16	4	6	10	29%
Tenor I	18	5	6	10	29%
Bass II	18	0	7	8	14%
F unison	16	0	4	7	12%
M unison	16	1	4	7	12%
Tenor IV	14	0	6	9	12%
Alto II	9	0	1	7	9%
Tenor II	8	0	3	4	4%

Addio mio dolce amor! (Edgar) - Puccini

Jwagner

2:31	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	55	10	10	94%
	29	56	3	10	99%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	55	10	10	94%
	29	56	3	10	99%
Fidelia	18	0	5	11	88%
Bass	11	0	1	10	22%
Soprano	13	5	1	10	22%
Tenor	12	3	1	10	22%

Jwagner

3:08	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	12	4	1	5	84%
Tenor	12	1	1	5	84%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	12	4	1	5	84%
Tenor	12	1	1	5	84%
Alto	11	0	2	5	66%
Soprano	11	0	1	5	66%
Organ	6	4	0	3	20%
	6	2	0	2	20%

Jwagner

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	42	117	20	10	74%
	40	81	19	9	72%
View all 21 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	42	117	20	10	74%
	40	81	19	9	72%
Soprani	19	0	9	8	55%
Bassi	20	4	10	6	48%
Contralti	14	0	6	6	48%
Tenori I	17	0	7	5	39%
Tenori II	15	0	7	4	39%
Soprani (Chiesa)	12	1	2	8	35%
Bassi (Chiesa)	12	1	3	8	35%
Tenori I (Chiesa)	9	0	2	8	35%
Contralti (Chiesa)	9	0	3	8	34%
Tenori II (Chiesa)	8	0	1	8	34%
Organo	20	27	8	8	32%
	20	11	6	8	24%
Soprani II	13	0	3	5	32%
Tenori	11	0	1	6	20%
Soprani I	11	0	2	4	13%
Bass II	4	0	0	4	8%
Bassi I	7	0	1	4	8%
Contralti I	10	0	1	4	8%
Contralti II	10	0	3	3	8%

Korsfarerne - Gade - 8. Vågn, Rinaldo, vågn

Jwagner

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	45	167	31	12	98%
	40	136	29	10	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	45	167	31	12	98%
	40	136	29	10	98%
Armida	20	0	13	10	62%
Rinaldo	18	0	7	10	48%
Soprano	12	4	2	7	26%
Alto	13	15	5	7	25%
Tenor	10	8	2	7	13%
Bas	12	12	2	8	11%